Iruvar

Story:

Iruvar is a 1997 Indian Tamil-language epic political drama film co-written, produced, and directed by Mani Ratnam. The film, inspired by the lives of M. G. Ramachandran, M. Karunanidhi and J. Jayalalithaa, is set against the backdrop of cinema and politics in Tamil Nadu. It stars an ensemble cast including Mohanlal, Prakash Raj, Aishwarya Rai, Revathi, Gautami, Tabu, and Nassar. Rai, who was crowned Miss World 1994, made her first screen appearance, playing dual characters.

PLOT

In the late 1940s, Anandan, an aspiring actor, goes around studios in Madras trying to land roles. He meets Tamizhselvan, a rationalist writer he respects, steeped in Dravidian ideas. On the strength of Tamizhselvan’s flowery writing and his own impassioned delivery, he is offered the title role in a few films.

Tamizhselvan introduces Anandan to Ayya Veluthambi, who leads a Dravidian political party. He grows to like the party’s ideology. Anandan marries Pushpavalli, while Tamizhselvan marries Maragatham, from their respective villages. When the two return to Madras, Anandan’s film has been cancelled due to financial difficulties. In a few months, Tamizhselvan’s party becomes the main opposition party. Anandan is reduced to playing minor roles. He sends Pushpavalli back to their village and considers joining the army. A few days later, Pushpavalli dies from illness and Tamizhselvan consoles a despondent Anandan.

Weeks later, Anandan’s fortunes return, and he is again offered the part of the protagonist. He convinces the director to hire Tamizhselvan as screenwriter. The film receives tremendous response upon release. Anandan becomes a celebrity and a major star in Tamil Cinema within a few years. During the next elections, Tamizhselvan encourages Anandan to use his popularity to help their party attract more attention. Anandan marries fellow actress Ramani who was being tortured by her own family. Five years later, Ayya Veluthambi asks Anandan to contest in the upcoming elections, much to the displeasure of Tamizhselvan, who thinks other, more devoted workers deserve candidacy.

Anandan is shot in neck by a prop gun while filming a scene, but the party sweeps elections, with 152 seats out of 234. Ayya Veluthambi refuses to become chief minister. He asks Anandan and another leader, Madhivannan, to decide who should be given the post. Tamizhselvan is resentful that Veluthambi did not involve him, but is chosen to be the chief minister of Tamil Nadu with Anandan’s wholehearted support. Anandan later asks to be made the health minister, but Tamizhselvan refuses, on the pretext that the executive committee forbids ministers to continue acting while in office. He offers Anandan any portfolio of his choice on the condition that he suspend his acting career. Anandan does not take it up.
Senthamarai, who had admired Tamizhselvan’s daring protests, moves in with him when he writes her a poetic letter and has a daughter with him. Anandan’s co-star in his new film is Kalpana who resembles his late wife. While initially distant, Kalpana’s chattiness draws Anandan to her. But still married to Ramani, his indecision about another marriage, angers Kalpana because of which she leaves him.
In a memorial function on Ayya Veluthambi’s death, Anandan claims party’s corruption in governance was the cause of death of the former. Anandan’s expulsion by Tamizhselvan splits the party, with several members creating a new one under Anandan’s leadership.

Anandan uses next four years for his popular films to highlight corruption in Tamizhselvan’s government and storms to power in the next election with 145/234 seats. But his governance turns out to be no different. Tamizhselvan’s eloquent diatribes against misgovernance spark protests and Anandan orders his arrest with a heavy heart. Meanwhile, Anandan sees Kalpana at a disaster relief site and asks her to be brought. The car bringing her meets an accident and Kalpana dies.

Anandan is distraught over Kalpana’s death. At the wedding of Ayya Veluthambi’s granddaughter, a visibly ailing Anandan meets Tamizhselvan. They share a handshake but hardly talk. The next morning, Ramani finds Anandan dead in his bed. Tamizhselvan, in an emotional monologue set in a place where the two had previously planned dominating the Tamil state, recites poetry mourning his death.