Dhoni turned producer with the Tamil film LGM which was also released in Telugu with the same title. The film is out now in the theatres and read our review to find out if it reaches our expectations.
Story: Gowtham, portrayed by Harish Kalyan, and Meera, played by Ivana, are colleagues who share a bond that has blossomed into a two-year romantic relationship. When Gowtham decides to take their commitment to the next level by proposing, Meera’s acceptance comes with a unique condition. She expresses her desire to spend a few days with Gowtham’s mother, Nadiya, in a bid to gain a deeper understanding of her prospective mother-in-law, aiming to ensure a harmonious relationship after their marriage. Yet, will their time together unfold as planned? What will Nadiya, who has a previous awkward encounter with Meera, make of this proposition?
Performances: While Harish Kalyan possesses striking looks, his acting leaves much to be desired. In the movie, his portrayal comes across as bewildered and lacking depth. Ivana, who previously dazzled with her acting prowess and beauty in “Love Today,” fails to leave an impression here. Though she looks beautiful, she struggles to act in key scenes which is a surprise. The film’s sole savior is Nadiya, who takes on the role of the hero’s mother and endeavors to salvage the film’s quality. Yogi Babu’s comedic contributions fall flat in this instance.
Technicalities: The film’s songs, composed by the director himself, fall disappointingly short. Given the significance of music in romantic comedies, the soundtrack’s mediocrity is particularly striking. Cinematography merely meets the baseline without delivering any notable visual impact. No standout contributions from any member of the technical team are discernible. audience.
Analysis: The notion of a heroine spending a week with the hero’s family, as portrayed in “Bommarillu,” captivated audiences with its freshness and familial resonance. Nearly two decades later, “LGM (Let’s Get Married)” attempts to replicate this essence with its central theme targeting family viewers. The core idea of the heroine’s wish to bond with her future mother-in-law carries promise, but the execution through screenplay and direction falters significantly.
The film fails to mirror reality in any scene. Office spaces for the protagonists resemble college settings more than professional environments. Attempts at humor involving the hero’s colleagues come across as farcical. Forced humor and contrived situations contribute to the film’s growing tedium. A nearly half-hour bus journey from Hyderabad to Coorg becomes a test of endurance, a reflection of the attempts to pad the runtime.
It becomes evident quickly that director Ramesh Tamilamani, responsible for the screenplay, direction, and even music, lacks the art of storytelling. The film’s progression falters due to his inability to navigate the concept effectively. His direction betrays amateurishness. Even in the latter half, sequences involving Nadiya and Ivana lack significance.
The climactic confrontation with a tiger adds to the film’s absurdity. The film is a lackluster and tedious romantic drama offering little to anyone involved. This film falls victim to a director’s narrative inadequacies. Ultimately, the film proves to be a dreary experience for the audience.
Verdict: Overall, LGM falters in many areas. The plot is routine and the presentation is stale. The performances are just about okay and the emotions are forced. Dhoni needs to wait for some more time to get a feel of success in films as his debut film as a producer has not great to offer.
Bottom Line – Nothing New to offer
Rating: 2/5
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